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Nathan Jolly

About Nathan Jolly

Nathan is a Sydney-based journalist who has written for numerous publications over the years, including Junkee, This Recording, New York Post, The BRAG, SBS, Triple J Mag, Channel [V], and He used to be pretty good at hitting three-pointers, and can still cartwheel, although he never learnt to swim, drive, or manage money.

The benefit of age is seeing the people you’ve ruined. Willie Nelson knows this, and up next in 200 Sad Songs he’ll explain the autumnal years regret he walks through. Love is fun.


“Maybe I didn’t love you quite as often as I could have”, Willie Nelson tenderly sings, his voice cracking due to emotion, and helped along by thousands of joints. Maybes aside, this is a simple tale of a man realising far too late that he was the sole architect in the downfall of his relationship. He was distant for far too long, and now she is.

The true tragedy of this song is captured towards the tail end of the second verse:

“I guess I never told you
I am so happy that you’re mine
Little things I should have said and done
I just never took the time
You were always on my mind”

The “maybes” that punctuate verse one are now lost as he takes full ownership of letting this love slip through his fingers. As is often the case, it was a slow, constant neglect that dissolved this relationship, not one big explosion. The little things he mentions aren’t little things at all, which he is realising. In the bridge he asks for “one more chance” but you can tell he knows it’s just not going to happen. It’s too late.

Of course, Willie Nelson’s version is the second-most famous, after Elvis Presley’s 1972 take – routinely held up as his finest vocal performance. I disagree. Although he recorded his version only weeks after Priscilla left him, this is nowhere to be heard in his voice – his stately croon keeps any emotion at bay. Willie, as is fitting for a country singer, lets all his years of regret out in one huge valve release. It’s heartbreaking, but somehow stoic, like he has accepted his lot and – aside from one plea in the bridge – is moving on slowly. Of course, this was the problem in the first place, Willie!

Ricky Gervais picked this version on BBC’s ‘Desert Island Discs’ back in 2007, and summarised the appeal of the song magnificently:

“The Elvis version’s beautiful, but I never considered Elvis vulnerable enough to pull this song off”, he begins, as way of an introduction. “It’s that regret; it’s that guy who’s maybe made some mistakes and now he’s in the twilight years and he’s trying to put it right. This one, out of all the songs, nearly makes me cry every time.”

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