‘Antebellum’ is a tour-de-force that will soon enter the zeitgeist, and thusly, spoiled. Go see it while you can.
Margot Robbie’s Harley Quinn returns, this time steering her own narrative, one as subtle as an oversized carnival mallet.
While Guy Ritchie’s ‘The Gentleman’ is little more than a moving plinth to himself, it also possesses a warm grip of comfort that familiarity enables.
Sam Mendes’ 1917 is more than a technical marvel, it’s an illustration of the memories his grandfather lived.