Despite the fresh marketing campaign surrounding it, Deadpool, as Glen Falkenstein tells us, sports a very familiar and well-worn mask.
As he crawls ever closer to his maiden Oscar, Glen Falkenstein feels Leo DiCaprio’s vehicle, The Revenant, has been vastly miscast.
Maria Tedeschi watched the tragically muted Amy Winehouse speak again in the documentary Amy and while Winehouse remains enigmatic, her talent lives on.
Childhood Star Wars tragic Maciej Radny attended last night’s midnight premiere only to learn an adult lesson as the credits rolled.
Glen Falkenstein witnessed the finale of the colossal Hunger Games juggernaut and found it a fitting finale…albeit with some issues.
Glen Falkenstein enters the steamy kitchen of Bradley Cooper’s Burnt, only to find the dish has gone off the boil.
Glen Falkenstein visits the well-trodden streets of Boston, this time driven by Johnny Depp’s latest vehicle Black Mass.
Glen Falkenstein reviews The Intern, the latest DeNiro vehicle…and as far as he’s concerned, the film doesn’t get the job done.
Glen Falkenstein steps south of the border with Benicio del Toro’s latest jaunt, Sicario, and to be blunt, it was one-way Traffic.
TBS film-scribe Glen Falkenstein heads out on Vacation with the Griswolds and finds the trip nostalgic, but entirely different.
Glen Falkenstein reports back on Guy Richie’s return to form, and the closest thing we’ll get to a live-action Archer in The Man from U.N.C.L.E.
Glen Falkenstein enjoys the concept of Self/less, but the execution, not so much.
Glen Falkenstein braved the premiere of Magic Mike XXL in Sydney, where he would like to have seen Channing Tatum flash something other than his abs…
Upon seeing “Mr Holmes”, Glen Falkenstein describes the legendary detective’s battle against his greatest foe: a complete lack of story.
Maciej Radny ventures into Jurassic World, only to find that the film hates him…and you too.
Bianka Farmakis caught 54: The Director’s Cut at the Sydney Film Festival and saw the film the way it was meant to be – unapologetically camp instead of conservative, with a whole lot of glitter.
They’ve finally made an Entourage movie and Glen Falkenstein couldn’t be happier, but does the movie live up to the legacy left by the TV series?
Glen Falkenstein reviews the latest big, dumb disaster flick San Andreas – if you like seeing the world getting wrecked, this film is for you.
While many Australian films have candidly framed social issues for all the world to see, few are likely to pack as much of a punch as Touch, writes Josh Sampson.
Don’t let the “based-on-a-true-story” label scare you off, Glen Falkenstein found Woman in Gold to be a touching drama about two very different people with a common past.
Glen Falkenstein’s review of the latest entry into George Miller’s universe of Mad Max in the recently released Mad Max: Fury Road.
The recent explosion in female-led films, like “Maleficent” and “Frozen”, may seem a great leap forward for women on screen, but Elise Bottle thinks such “feminist” fantasies skate on thin ice.